Watercolour illustration for Pick a Bale of Cotton

Pick a Bale of Cotton

Jump down, turn around, pick a bale a day

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Arrangement: Ian J. Watts / Mike Wilbury · Singalongasong Band / ClassicRocks

Lyrics

We're gonna jump down, turn around, pick a bale of cotton,
Jump down, turn around, pick a bale a day.
Jump down, turn around, pick a bale of cotton,
Jump down, turn around, pick a bale a day.

I'm gonna get on my knees and pick a bale of cotton,
Get on my knees and pick a bale a day.
Get on my knees and pick a bale of cotton,
Get on my knees and pick a bale a day.

I'm gonna jump, jump down and pick a bale of cotton,
Jump, jump down and pick a bale a day.
Jump, jump down and pick a bale of cotton,
Jump, jump down and pick a bale a day.

We're gonna pick, pick, pick, pick a bale of cotton,
Pick, pick, pick, pick a bale a day.
Pick, pick, pick, pick a bale of cotton,
Pick, pick, pick, pick a bale a day.

Me and my papy gonna pick a bale of cotton,
Me and my papy gonna pick a bale a day.
Me and my papy gonna pick a bale of cotton,
Me and my papy gonna pick a bale a day.

Hey, Lordie, gonna pick a bale of cotton,
Hey, Lordie, gonna pick a bale a day.
Hey, Lordie, gonna pick a bale of cotton,
Hey, Lordie, gonna pick a bale a day.

Traditional lyrics — public domain. Arrangement © Singalongasong Band / ClassicRocks.

History & Background

History & Origin

"Pick a Bale of Cotton" is a traditional American work song rooted in the experience of cotton picking in the American South. It is most closely associated with Huddie Ledbetter, known as Leadbelly, who recorded an influential version in the 1930s that brought the song to a wide audience. However, the song was already in circulation long before Leadbelly's recording, transmitted orally among the communities who picked cotton by hand.

The call-and-response structure and rhythmic insistence of the song — "jump down, turn around, pick a bale a day" — reflects the physical nature of the work it describes. A bale of cotton weighs approximately 480 pounds, and picking one in a day was back-breaking labour. The song does not dwell on the hardship; instead, it transforms the work into movement and rhythm, which is the characteristic response of work songs across many cultures.

The "Lordie" verse carries a note of appeal to God that is common in African American folk music, grounding the physical labour in a spiritual context. Our recording captures the energy and rhythmic drive that makes this song so effective as a children's action song.